A bit of
      history..
      In the past MTZ Audio had the
      opportunity to gain a first-hand experience on Audax driver units. Three speaker projects,
      sold as DIY kits, were designed and implemented with the famous aluminium dome TW025A20
      tweeter driver and the HM170Z18, HM210Z12 woofer units.
      
      copyright © AUDAX, www.audax.fr
      Many greek DIYers constructed
      these speakers. Their satisfaction was more than rewarding for the people of MTZ Audio.
      Since September 2004 Audax has stopped OEM driver sales. 
       
      The Arcos
      speaker project..
      
      picture courtesy of an MTZ Audio friend who has
      built an Arcos pair.
       
      Selection of
      drivers..
      The idea behind Arcos was to give
      robust, undistorted bass reproduction for relatively large listening rooms. Although there
      are a lot of opinions on the room area a speaker can 'load' effectively, MTZ Audio people
      have come to the conclusion that the optimum room area a pair of 8'' woofer cones can
      drive in the low frequency range, is about 27-50 m2.
      Generally speaking the acoustic
      cooperation of an 8'' woofer with a dome tweeter in the mid-frequencies is questionable.
      Apart from an acceptable SPL graph which is easily achieved by crossover network
      manipulation, such driver combinations usually fail in many fields of sonic reproduction. 
      At that time (early 2004) MTZ
      Audio staff decided to select the popular aerogel cones of Audax drivers for these
      difficult tasks. Arcos was designed after the 8'' HM210Z12 driver. 
      The uncomparable aerogel cone of
      this driver managed to produce a flawless breath in the demanding mid-frequency region.
      Classical orchestral music will tell the truth !
      
      The aerogel cone material made
      Audax drivers famous for their naturalness, openness and transparency in the
      mid-frequencies.
      Many things are subjective in
      audio; in that sense MTZ Audio people has found that aerogel drivers are much better than
      many popular and unexpectedly expensive kevlar- or carbon-fibre drivers manufactured by
      other well-respected brands.
       
      
      copyright © AUDAX, www.audax.fr
       
      The enclosure
      design..
      Arcos was given a 84lt net volume.
      The reflex-port was tuned at 37Hz (initial calculation with no damping material inside the
      speaker cabinet) and the resulting  cutoff frequency (-3dB) is  at 38 Hz approx.
      The enclosure material selected,
      was a high-density 22mm thick MDF.
      
      
      
      
      
      pictures courtesy of MTZ Audio friends who has
      built Arcos speakers..
      Driver and cabinet data were input
      to our simulation software (LFA v5.0) to derive the optimum driver and port positions over
      the baffle board. Arcos enclosure is large and therefore extremely prone to unwanted vent
      emissions. This analysis helped us in keeping them to a minimum outside the tuning
      frequency.
       
      
       
      This simulation screen shot for an
      undamped Arcos enclosure is provided for reference and has been verified through a near
      field SPL measurement in the port's mouth :  
       
      
      As soon as Arcos enclosure is
      damped with absorbing material linings a comparatively excellent sonic purity in the
      frequency range 120-800 Hz is introduced providing very good rejection of the above
      illustrated enclosure resonances. (Note : this lab measurement was made at early
      development phase of Arcos speaker and features a somewhat lower vent tuning frequency due
      to the larger vent length used at that time)
      The crossover
      network..
      We at MTZ Audio, believe that
      crossover networks are intended to manipulate, compensate and align driver responses, not
      just decorate the interior of a speaker's cabinet. We certainly do not promote minimalism
      in this area of electronics. Although we respect other design approaches, we definitely do
      not encourage the excitement of driver's nonlinearities and cone break-up waves that many
      DIY designers induce through their oversimplified crossover network topologies.
      The idea is simple :
      Intermodulation distortion artifacts never appear in SPL measurements. Crossover networks
      are not merely 'frequency dividing' circuits. It takes more than a desired SPL curve to
      really design a speaker system.
      The case of Arcos is difficult. In
      the crossover frequency region there are three (instead of two) co-emitting drivers with
      sparsely located acoustical centers. Their phase alignment can only be achieved by
      meticulous steps during the crossover network design.
      The target is not merely a good
      SPL curve. It is sound coherency and soundstage that will be endangered if phase alignment
      is not absolutely perfect. 
      
      The picture above depicts the
      anechoic SPL response of an Arcos speaker on tweeter axis, at a distance of 1m, for
      2.83Vrms input (Valid measurement frequency range 400Hz-48kHz). No smoothing is applied to
      this measurement.
      The solid line stands for the
      power SPL response and dashed for the usual (pressure amplitude) SPL response. The range
      20Hz-2.5kHz of the dashed SPL response is only valid on a confined sub-space in front of
      the speaker baffle. We at MTZ Audio prefer to draw our results from a combined inspection
      of (solid) pressure power and (dashed) pressure amplitude level graphs.
      On the other hand the upper cutoff
      (-3dB) frequency of Arcos is approx. 30kHz !
      The small 'valley' in the 1.5-5kHz
      range compensates for early reflections in typical living room environment and enables
      really loud listening sessions ! People that builded Arcos are really aware of it !
      Exceptional similarity of Arcos
      speakers SPL response is fulfilled by the very low production tolerances of Audax drivers
      and our careful selection of crossover components.
      A hardwired sample crossover
      network is shown in the following picture: 
      
       
      A detailed circuit schematic
      follows right below:
      
       
      A few words on
      impedance..
      MTZ Audio staff has got an
      extensive experience on amplifier design hence regards the nature of a speaker's complex
      impedance very critical for amplifier feedback operation. We all know that amplifier specs
      are measured across laboratory resistive loads of 4 or 8 Ohms. IEC 268 standard was never
      revised despite the strong criticism by many researchers and designers involved in the
      amplification case.
      A special impedance correction
      circuit was engaged in parallel to Arcos' crossover network, to render the latter's
      impedance as resistive as possible in a wide frequency range. This sub-circuit is shown
      within the crossover network schematic just above. Its 'healing' properties can easily be
      understood in the following impedance graph:
      
      In a very wide frequency range
      (100Hz to 30kHz) a nearly flat impedance for the Arcos speaker was achieved.
      At lower frequencies where large
      impedance resonant peaks occur in absolutely all loudspeaker systems (up to 40 or more
      Ohms !) such correction circuits demand extremely large inductance and capacitance values
      and therefore are not feasible. Arcos' impedance correction circuit is surely a decisive
      step towards sonic perfection, especially for those who do not own highly expensive
      amplifiers.
       
       
      
      picture courtesy of an MTZ Audio friend who has
      built an Arcos pair.
       
      Some useful links (in Greek) in
      AVforum's discussions concerning the Arcos project:
      http://www.avforum.gr/showarticles.php3?topic=11&subtopic=17808
      some useful technical tips :
      http://www.avforum.gr/showarticles.php3?topic=11&subtopic=18829&st=0
      http://www.avforum.gr/showarticles.php3?topic=11&subtopic=18969&st=0
      and some listening reviews :
      http://www.avforum.gr/showarticles.php3?topic=11&subtopic=18297&st=0
      http://www.avforum.gr/showarticles.php3?topic=11&subtopic=19346&st=0
      http://www.avforum.gr/showarticles.php3?topic=11&subtopic=15955&st=0
      http://www.avforum.gr/showarticles.php3?topic=11&subtopic=20639&st=0
      http://www.avforum.gr/showarticles.php3?topic=11&subtopic=16046&st=0
      
      Arcos / Technical
      Specifications
       two-way,
      three-drivers' design,
 two-way,
      three-drivers' design,
       vented-box
      low frequency alignment, port tuned at 37Hz,
 vented-box
      low frequency alignment, port tuned at 37Hz,
       high freq.
      driver: TW025A20, alum. 1'' dome by Audax,
 high freq.
      driver: TW025A20, alum. 1'' dome by Audax,
       bass-mid
      driver: HM210Z12, aerogel 8'' cone by Audax,
 bass-mid
      driver: HM210Z12, aerogel 8'' cone by Audax,
       enclosure
      volume: 84lt net,
 enclosure
      volume: 84lt net,
       speaker
      ext.dimensions in mm: 264x1169x384 (WxHxD),
 speaker
      ext.dimensions in mm: 264x1169x384 (WxHxD),
       SPL
      response cutoff frequencies (-3dB): 38Hz-30kHz,
 SPL
      response cutoff frequencies (-3dB): 38Hz-30kHz,
       sensitivity:
      88dB SPL / 1m / 2.83Vrms input (anechoic),
 sensitivity:
      88dB SPL / 1m / 2.83Vrms input (anechoic),
       power
      handling capacity: 200W rms per amplification channel,
 power
      handling capacity: 200W rms per amplification channel,
       impedance:
      4 Ohms,
 impedance:
      4 Ohms,
       crossover
      frequency 2.5 kHz approx.
 crossover
      frequency 2.5 kHz approx.
       
      
      Drawings and Assembly
      Instructions..
      Hint : images below, link to
      downloadable pdf files.
       
  
 
       
 
       
 
       
 